Academy Notes, Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, NY, “Third Annual Exhibition Selected American Paintings at the Albright Art Gallery First Paper”, June, 1908, Volume 4, Number 1, page 1-7, not illustrated
ARTICLE
Academy Notes, Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, NY, “Third Annual Exhibition Selected American Paintings at the Albright Art Gallery First Paper”, June, 1908, Volume 4, Number 1, page 1-7, not illustrated
Academy Notes, Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, NY, “Third Annual Exhibition Selected American Paintings at the Albright Art Gallery First Paper”, June, 1908, Volume 4, Number 1, page 1-7, not illustrated
Academy Notes, Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, NY, “Third Annual Exhibition Selected American Paintings at the Albright Art Gallery First Paper”, June, 1908, Volume 4, Number 1, page 1-7, not illustrated
Academy Notes, Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, NY, “Third Annual Exhibition Selected American Paintings at the Albright Art Gallery First Paper”, June, 1908, Volume 4, Number 1, page 1-7, not illustrated
Academy Notes, Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, NY, “Third Annual Exhibition Selected American Paintings at the Albright Art Gallery First Paper”, June, 1908, Volume 4, Number 1, page 1-7, not illustrated
Academy Notes, Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, NY, “Third Annual Exhibition Selected American Paintings at the Albright Art Gallery First Paper”, June, 1908, Volume 4, Number 1, page 1-7, not illustrated
Academy Notes, Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, NY, “Third Annual Exhibition Selected American Paintings at the Albright Art Gallery First Paper”, June, 1908, Volume 4, Number 1, page 1-7, not illustrated
TRANSCRIPTION
“Emil Carlsen’s Wood Interior—with gray rocks, partly moss-grown, massed here and there between trees, the ground covered with a carpet of decayed leaves, a suggestion of the green of early spring in the branches overhead, through which filters brilliant sunshine flecking the ground here and there—is a picture which develops new beauties and greater admiration the longer it is studied. it is a painting which never will exhaust itself—or the observer. In quality it is as charming in its own way as is either the beautiful Moonlight of Mr. Hassam or the White Lilacs of Mr. Reid.”…
WORKS BY EMIL CARLSEN
