EMIL CARLSEN ARCHIVES

Emil Carlsen Archives is a Non-profit organization running the world's largest visual archive of the work of painter Emil Carlsen [1848-1932]

Emil Carlsen The Samovar, ca.1921

January 1, 1920
Emil Carlsen The Samovar ca.1921

The Samovar, c.1921
Emil Carlsen [1848-1932]
Oil on canvas
29-1/8 x 27-1/8 inches

Signed: At lower middle left.  ‘Emil. Carlsen.’.

Archives of American Art #: 07130015

Provenance:
1924 New Britain Museum of American Art [1853- ], 56 Lexington Street, New Britain, CT 06052, John Butler Talcott Fund (asseccsion #1924.1)
c. 1921 Emil Carlsen [1848-1932], the artist

Exhibitions:
1999 Vance Jordan Fine Art, New York, NY, “Quiet Magic: The Still-Life Paintings of Emil Carlsen“, October 28 – December 10.
1981 New Britain Museum of American Art, New Britain, CT, “Three Centuries of Connecticut Art, New Britain Museum of American Art”, May 3 – 31.
1963 New Britain Museum of American Art, New Britain, CT, “Oil Paintings, Water Colors, Lithographs, Etchings”.
1935 The Macbeth Gallery, New York, NY, “Still Lifes by Emil Carlsen, 1853-1932“, April 23 – May 13.
1922 The Dallas Art Association, Dallas, TX, “Third Annual Exhibition: American Art From The Days Of The Colonists To Now“, November 16–30.

References:
New Britain Musuem of American Art website [[http://ink.nbmaa.org]] accessed August 9, 2016.
– The Wall Street Journal, New York, NY, “In Connecticut, Discovering American Art’s First Home” by Willard Spiegelman, August 8, 2016.
– Vance Jordan Fine Art, New York, NY, Exhibition Catalog, “Quiet Magic: The Still-Life Paintings of Emil Carlsen“, October 28 – December 10, 1999, #39.
– New Britain Museum of American Art, “Highlights of the collection: volume I,” New Britain, CT: The Museum, 1999. Illustration: New Britain Museum of American Art, “Highlights of the collection: volume I,” New Britain, CT: The Museum, 1999, pg. 47.
– New Britain Museum of American Art, New Britain, CT, Exhibition Catalog, “Three Centuries of Connecticut Art, New Britain Museum of American Art”, May 3 – 31, 1981, #58, page 28.
– New Britain Museum of American Art, “Catalogue of the collection,” New Britain, CT: The Museum, 1975.
– New Britain Museum of American Art, New Britain, CT, Exhibition Catalog, “Oil Paintings, Water Colors, Lithographs, Etchings”, 1963.
– The Macbeth Gallery, New York, NY, Exhibition Catalog, “Still Lifes by Emil Carlsen, 1853-1932“, April 23 – May 13, 1935, #5, not illustrated.
– The Dallas Art Association, Dallas, TX, Exhibition Catalog, “Third Annual Exhibition: American Art From The Days Of The Colonists To Now“, November 16–30, 1922, #95, not illustrated.

Notes:

New Britain Musuem of American Art website [[http://ink.nbmaa.org]] accessed August 9, 2016.
…”An excellent example of Carlsen’s later Tonalist still lifes, the New Britain painting depicts a simple arrangement of a brass bowl, a samovar, and a white earthenware vase-objects that please the eye with their simple but classic shapes. Round and oblong forms play against one another, the vase echoing the form of the samovar, the samovar mimicking the roundness of the kettle. As in the best of Carlsen’s works, the tonal values are very close. The luminous brass vessels are the focus–their glowing surface reflections are complemented by the matte white earthenware pot in the foreground; their darker silvery gray tones are repeated in the rich monochromatic background. Carlsen’s painting is detailed, though not laboriously so. Instead the edges and reflections are slightly blurred, so that the painting is bathed in a soft luminosity and tranquility.

Carlsen’s predominant philosophy was one of classic balance and simplicity: “Still life painting must be of a well understood simplicity, solid, strong, vital, unnecessary details neglected, salient points embellished, made the most of, every touch full of meaning and for the love of beauty.”(1) The objects themselves may be totally lacking in traditional beauty, but the painting is made beautiful by Carlsen’s sensitivity to their arrangement. As the artist told his students: “The arrangement well spaced, the objects good in color and form, the background simple and neutral, the key chosen, and half of the work is done.”(2)

MAS”…

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Image Information:

Original Image:
File Name: +uh-92.jpg
File Type: .jpg
File Size: 16.97 MB
File Dimensions: 3318 x 3600 px
File Resolution: 600 dpi
File Source: file://local/Emil Carlsen/Emil Carlsen Still Life/Brown/+uh-92.jpg
Accession Date: October 18, 2008
Image Creator/Provided By: Kim Lykke Jensen, Esbjerg, Southern Region, Denmark
Image Source: Wikipedia provided by New Britain Museum of American Art, New Britain, CT

Web Image:
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File Type: .jpg
File Size: 2 MB
File Dimensions: 1024 x 1111 px
File Resolution: 72 dpi
File Source: file://http://emilcarlsen.org/wp-content/uploads/sites/13/2013/08/uh-92-mp-990×1074.jpg
File Uploaded: August 6, 2013

Permissions:
Image in the Public Domain, based on year that the artist died (1932).

©2013-2017 Emil Carlsen Archives

Digital-born Publication Title: Emil Carlsen Archives
Publication Subtitle: World's Largest Visual Reference Dedicated to the Preservation of the Work of Danish-American Impressionist/Realist Painter, Emil Carlsen [1848-1932]
Library of Congress Subject Authority Heading: Carlsen, Emil, 1853-1932
Emil Carlsen LC control no.: n 85141186
Publication Type: Online Integrating Resource
Language: English
Creator/Author: Emil Carlsen Archives
Published by: Emil Carlsen Archives, 266 West 21st Street, New York, NY 10011
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Publish Date: 2013 –
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