EMIL CARLSEN ARCHIVES

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The American Magazine of Art, New York, NY, “Fine Arts Gallery, San Diego”, May, 1929, volume 20, Number 5, page 299-301

May 1, 1929

ECA Record Control Number: 18886

Record Level: Reference

Record Type: Newspaper

Article Type: Work Mention

Key Title: Fine Arts Gallery, San Diego

Sub Title: -none-

Language: English

Author: Ralph Morris

Publisher: The American Magazine of Art
Publish Location: New York, NY

Date of Publication: May, 1929

Page: Volume 20, Number 5, pages 299-301

Source: Jstor

Description: 3 page magazine article clipping

Subjects:
Carlsen, Emil, 1848-1932

Number of copies: 1

Digitized: yes

BOOK/NEWSPAPER

The American Magazine of Art, New York, NY, “Fine Arts Gallery, San Diego”, May, 1929, volume 20, Number 5, page 299-301

The American Magazine of Art, New York, NY, “Fine Arts Gallery, San Diego”, May, 1929, volume 20, Number 5, page 299-301

The American Magazine of Art, New York, NY, “Fine Arts Gallery, San Diego”, May, 1929, volume 20, Number 5, page 299-301

The American Magazine of Art, New York, NY, “Fine Arts Gallery, San Diego”, May, 1929, volume 20, Number 5, page 299-301

The American Magazine of Art, New York, NY, “Fine Arts Gallery, San Diego”, May, 1929, volume 20, Number 5, page 299-301

The American Magazine of Art, New York, NY, “Fine Arts Gallery, San Diego”, May, 1929, volume 20, Number 5, page 299-301

TRANSCRIPTION

” FINE ARTS GALLERY, SAN DIEGO

The development of galleries and other agencies for increasing the knowledge and enjoyment of Fine Arts in southern California. is a matter of special gratification to the Fine Arts Gallery of San Diego. In the opening, a short time ago, of the Laguna Beach Art Association’s new home, this gallery has an intimate interest, for several reasons.  Artists of the Laguna Beach Association were very generous in sending original oil paintings for circulation in the schools of San Diego County; they have contributed a number of the most significant pictures that have been shown in southern California exhibitions arranged here, and they have, in many other ways, stimulated the production and the enjoyment of the Fine Arts in the West.

The new El Prado studio and gallery in San Diego, managed by Mrs. Esther Stevens Barney, skilfully provides for the showing of a few pictures in a home-like atmosphere.  The design of the room, the old furniture, the use of flowers and prints contribute to a very fortunate arrangement for the presenting of works by various local painters.  Another institution near by, the public gallery in La Jolla. continues to show each mouth interesting works of art.

The emphasis that the Fine Arts Gallery, San Diego, has always had upon modern American art, and its desire to have productions from Spanish, Oriental and other fields, have been remembered in the additions to the permanent collection that have been made within the last few mont hs. From the father-and-son exhibition by De Witt and Douglass Parshall have come “The Grand Canyon by Moonlight,” by De Witt Parshall, and “The Freight Yards” by Douglass Parshall.  An American painter of the immediately preceding era, Max Bohm, is represented by “The Raising of Lazarus,” given by Mrs. Henry A. Everett. Miss Edith A. Hamlin, a very tactful and successful teacher of young children, who has been a resident of San Diego for some time, has presented a drawing of trees in black and white, and a woodland study in colors. A gilf to the gallery in memory of Mrs. Kelville A. Klauber, a large painting, “Thanksgiving Still Life” by Emil Carlsen was secured from an artist who has possessed it since it was painted in the 90’s. From the Orient have come cricket houses, with tops of carved jade or bone or ivory, given by Mr. George D. Pratt, and a large Burmese Buddha, given by Mr. and Mrs. Erskine J. Campbell. A rich sixteenth century Spanish cope, with flowers in colors and much gold thread on a, white ground, has been donated by Mrs. Appleton S. Bridges, and an etching by Armin Hansen, procured from the California Print Makers’ Society. Two photographers of insight, skill, and poetic feeling, men who have received honors in Europe as well as in salons in this country, Harold A. Taylor and Wayne Albee, have contributed some of their most beautiful pictures to the permanent collection.

Winslow Homer and Elihu Vedder are represented among the loans, Homer by a water-color study of a woman and Vedder by a Christmas card made in Rome.  Recent exhibitions have provided a representative display of paintings of mountains and the desert by the dean of San Diego painters, C. A. Fries: water colors and etchings by Henri De Kruil, and distinctive work in batik by Muriel Earle De Kruif: water colors by Barse Miller, drawings by Aloys Bohnen, work of the San Diego Academy of Fine Arts.  Paintings by Ramon and Valentin de Zubiaurre, and by Susan Hicker Knox; water-color studies for modern American interiors by Kem Weber, and etchings, engravings, other prints and drawings from the Snyder and Armitage collections. Among sculptors, Allan Clark and Carl Hallsthammor are now represented.

The rooms especially arranged for Spanish. Dutch, and Oriental works continue to afford residents and visitors means of quick and pleasant acquaintance with productions of several centuries from these various cultural groups.

Although a severe cut in the budget of the city has sharply reduced the resources of the Gallery, there have been some lectures.Monsieur Paul Poiret, ol Paris, talked on “The Art of Costume” and draped several models to illustrate his suggestions about tasteful costuming in the spirit of the present and the immediate future. Mrs. Richard F. Kahle, M. A., of the University or California, experienced in decorative work in New York and recently in Paris, has given a series of lectures on modern French decoration.  The photographs were the more illuminating on account of her having obtained them from a number of the leaders of interior designing in the French capital.

An index of the interest of the county boys and girls in the classes in drawing, modelling, linoleum cutting, design, pottery, and other subjects is the fact that they voted to come even in vacation week for the lessons provided by the Fine Arts Gallery.

RALPH MORRIS, Assistant to the Director.

CAPTION: STILL  LIFE   PERMANENT COLLECTION, FINE ARTS GALLERY, SAN DIEGO   EMIL CARLSEN”

WORKS BY EMIL CARLSEN

 

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http://emilcarlsen.org/newspaper/?p=18886

Digital-born Document Number:
ECA.2017.18886

Digital Document Provenance:
Original compiled and researched document by the Emil Carlsen Archives, 266 West 21st Street, Suite 4E, New York, NY 10011.

Document License:
Creative Commons Corporation  shareAlike (sa) license.  Some of the information contained within this document may hold further publication restrictions depending on final use.  It is the responsibility of the researcher to determine.

Image License:
The author of this artwork died more than 70 years ago. According to U.S. Copyright Law, copyright expires 70 years after the author’s death. In other countries, legislation may differ.

Record Birth Date:
February 9, 2017

Last Update:
February 9, 2017

©2013-2017 Emil Carlsen Archives

Digital-born Publication Title: Emil Carlsen Archives
Publication Subtitle: World's Largest Visual Reference Dedicated to the Preservation of the Work of Danish-American Impressionist/Realist Painter, Emil Carlsen [1848-1932]
Library of Congress Subject Authority Heading: Carlsen, Emil, 1853-1932
Emil Carlsen LC control no.: n 85141186
Publication Type: Online Integrating Resource
Language: English
Creator/Author: Emil Carlsen Archives
Published by: Emil Carlsen Archives, 266 West 21st Street, New York, NY 10011
Edition: First
Frequency of Updates: Daily
Publish Date: 2013 –
End Date: none, continuing
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MARC Organization Code: 41959
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