EMIL CARLSEN ARCHIVES

Emil Carlsen Archives is a Non-profit organization running the world's largest visual archive of the work of painter Emil Carlsen [1848-1932]

The Morning Call, Allentown, PA, “American sea painters : Learn one thing every day ; No.6 Emil Carlsen, Open sea”, Saturday, July 12, 1913, page 3, illustrated: b&w

July 12, 1913

ECA Record Control Number: 20840

Record Level: Reference

Record Type: Newspaper

Article Type: Artist As Lead Subject

Key Title: American sea painters

Sub Title: Learn one thing every day ; No.6 Emil Carlsen, Open sea

Language: English

Author: Arthur Hoeber

Publisher: The Associated Newspaper School, Inc. [syndicated] ; The Morning Call
Publish Location: Allentown, PA

Date of Publication: Saturday, July 12, 1913 [originally published 1912]

Page: 3, illustrated: b&w

Source: Newspapers.com paid subscription

Description: 1 newspaper clipping

Subjects:
Carlsen, Emil, 1848-1932.

Number of copies: 1

Digitized: yes

BOOK/NEWSPAPER

The Morning Call, Allentown, PA, "American sea painters : Learn one thing every day ; No.6 Emil Carlsen, Open sea", Saturday, July 12, 1913, page 3, illustrated: b&w

The Morning Call, Allentown, PA, “American sea painters : Learn one thing every day ; No.6 Emil Carlsen, Open sea”, Saturday, July 12, 1913, page 3, illustrated: b&w

TRANSCRIPTION

American sea painters

Learn one thing every day ; No.6 Emil Carlsen, Open sea

Emil Carlsen won recognition first as a painter of still life. He was born in Copenhagen, Denmark; but he came over to America when he was a very young man, settling first in Boston. He afterward went to the Pacific Coast, where he taught art and had a large number of pupils.

His early struggles were severe indeed, and he was put to it to make both ends meet. In those old days he used to take a dead chicken and keep painting it till the other occupants of the building protested at the gamy odors that came from his studio. Firsh also from time to time made it awkward for his fellow workers on account of their long stay in his workshop; but those were days when to buy a goose or a shad was a serious consideration with Carlsen.

Curiously enough, the man always had a singularly original color point of view, seeing it in a manner quite different from his fellows. Indeed, no other worker in this country possesses so individual an outlook on the world of color. He has as well a method of painting quite his own, of handling his pigment, of blending the tones and obtaining sparkle and vibrancy.

Few painters keep up their interest to such a high pitch. Carlsen is today as enthusiastic as a beginner. Among the members of the Salmagundi Club of New York, that intimate artistic organization, Carlsen is most popular, and they have given him many of the best prizes the organization has to offer. He has also many medals and honors elsewhere. Last season the Pennsylvania Academy of Fine Arts, in Philadelphia, awarded him one of its important prizes, and purchased his painting for its permanent collection.

He is a member of the National Academy of Design, of the National Institute of Arts and Letters, and of the famous St. Botolph Club of Boston, as well as the even more famous Bohemian Club of San Francisco. He is an untiring worker, never happy away from his easel. One of his important canvases at the Metropolitan Museum of Art in New York, Surf, shows him to be a rare poetical and lyrical painter of the sea. “Carlsen’s color,” said one of the prominent New York painters,—”well, Carlsen’s color is good enough to eat,” which gives one an idea of its appetizing quality.”

WORKS BY EMIL CARLSEN

 

Document Information

Document Permalink:
http://emilcarlsen.org/newspaper/?p=20840

Digital-born Document Number:
ECA.2017.20840

Digital Document Provenance:
Original compiled and researched document by the Emil Carlsen Archives, 266 West 21st Street, Suite 4E, New York, NY 10011.

Document License:
Creative Commons Corporation  shareAlike (sa) license.  Some of the information contained within this document may hold further publication restrictions depending on final use.  It is the responsibility of the researcher to determine.

Image License:
The author of this artwork died more than 70 years ago. According to U.S. Copyright Law, copyright expires 70 years after the author’s death. In other countries, legislation may differ.

Record Birth Date:
April 18, 2017

Last Update:
April 18, 2017

©2013-2017 Emil Carlsen Archives

Digital-born Publication Title: Emil Carlsen Archives
Publication Subtitle: World's Largest Visual Reference Dedicated to the Preservation of the Work of Danish-American Impressionist/Realist Painter, Emil Carlsen [1848-1932]
Library of Congress Subject Authority Heading: Carlsen, Emil, 1853-1932
Emil Carlsen LC control no.: n 85141186
Publication Type: Online Integrating Resource
Language: English
Creator/Author: Emil Carlsen Archives
Published by: Emil Carlsen Archives, 266 West 21st Street, New York, NY 10011
Edition: First
Frequency of Updates: Daily
Publish Date: 2013 –
End Date: none, continuing
Hosting: Single server (no mirrors)

MARC Organization Code: 41959
MARC Org Code: NyNyECA
MARC Org Code: normalized: nynyeca
MARC Org Code: ISIL: US-NyNyECA
Publisher ISSN : forthcoming