1920 Montclair Art Museum Montclair Art Association Montclair NJ Paintings by Blakelock Carlsen Crane Crouse Murphy Ranger and Wyant from the Isidor Collection 1920 – 1921
1920 Library University of Akron Akron OH (sponsored by the Akron Fine Arts Club and loaned by the Milch Galleries) Masterful Examples of the Work of Leading American Artists November 8-22
1920 Art Institute of Chicago Chicago IL Thirty-Third Annual Exhibition of American Oil Paintings and Sculpture November 4 – December 12
1920 National Academy of Design New York NY Ninety-sixth Annual Exhibition April – May
1920 Detroit Institute of Arts of the City of Detroit Detroit MI The Sixth Annual Exhibition of Selected Paintings by American Artist April 20 – May 31
1920 Buffalo Fine Arts Academy Albright Art Gallery Buffalo NY Important Works by a Number of America’s Leading Painters January 10 – February 15
1920 Corcoran Gallery of Art Washington DC 7th Biennial of Oil Paintings by Contemporary American Artists December 21 1919 – January 25 1920
1920 Greenwich Society of Artists (Held at the Bruce Museum in Greenwich CT) Group Exhibition unknown date
1920 Macbeth Gallery New York NY Fourth Exhibition of Intimate Paintings unknown date
1920 Memphis Art Association and Junior Art League Brooks Memorial Overton Park Memphis TN Paintings by Brush Carlsen Metcalf Hassam Couse Crane Dewing Dougherty Garber Spencer Wiggins; work from the New York pubic schools circulated by the American Federation of Arts October
1920 Ferargil Galleries New York NY Mr Russell presents selected examples of Four Great American Artists: Carlsen Hassam Davies the Late Julian Alden Weir May 10 – June 1
1919 The Ninety-Fourth Annual Exhibition of the National Academy of Design by Maria Oakey Dewing This exhibition boasted a beautiful sea piece by Emil Carlsen The Open Sea Here we had the freshness and color and lovely surface that with his peculiarly personal charm Mr Carlsen is sure to give us This is something else he gives us never quite tangible or expressable-is it perhaps poetry-all in the legitimate language of art as I am not willing to say of some kinds of technique where the paint is in high relief Gerome called it Peinture pour les aveugles
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